Perhaps, like me, you are curious about the specifics of the new Dior “Grand Bal” limited edition holiday collection for which Carine Roitfeld styled a striking campaign in collaboration with Daria Strokous and Steven Meisel. If you are looking for a chic and sparkling approach to glamour for your special occasion, these irresistible little gems imagined by Dior may be perfect… Eyes glowing… Lips blazing… Skin shimmering ever so slightly… With this richly seductive palette, Dior sets the gold standard for glamorous makeup essentials this season. My favorite: the false eyelashes adorned with gold Swarovski crystals, très sexy, très chic.

Dior Grand Bal Couture Makeup Palette

Dior Grand Bal False Lashes

5 Couleurs
Colors: Night Golds, Fairy Golds

Diorific Lipstick
Colors: Diorling, Diva, Lady, Marilyn

Diorshow Extase Mascara
Color: Black

Dior Addict Ultra-Gloss
Colors: Lamé Gold, Ceremony Red

Lamé Gold

Ceremony Red

Diorskin Poudre Libre
Color: Gold Dust

Vernis Diorific Nail Lacquer
Colors: Diorling , Marilyn, Lady, Diva

Diorling

Marilyn

Lady

Diva

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Christian Dior product images © 2012 Christian Dior. All Rights Reserved.

The Fantastic World Of Dior Couture
By Bernie Rothschild

Rizzoli published the book Dior Couture last autumn which contains the greatest hits of the Maison de Christian Dior. The book showcases the house from the revolutionary New Look of 1947 to the hip and beatnik designs of Yves Saint Laurent, from the simplicity and practicality of Marc Bohan on to the colorful Gianfranco Ferre, and ends with the glorious years of John Galliano. Patrick Demarchelier captured the most fantastic dresses in the most exquisite locations in France, Shanghai, and New York, as worn by the most beautiful female models in the world from Gisele Bündchen to Charlize Theron. For V Magazine's model issue last year, Carine Roitfeld styled an editorial featuring the dresses of Dior, many of which were designed by John Galliano.

Christian Dior is known as one of the greatest couturiers of our time. He defined glamour around the world after the devastating war with his New Look that set the standard for women everywhere. It was 1947, two years after World War II. The world was at peace at last but women all over the world were experiencing an identity crisis, they were completely lost and unsure as to what to wear. Then Dior showed his first collection. The dresses featured the waist and the bust with accentuated jackets and above-the-knee skirts. That was then controversial and some even considered it vulgar. The collection was originally called "Corolla" but then the legendary Carmel Snow of Harper's Bazaar announced to Mr. Dior and the press that "It's such a New Look!" and the glamorous style of the century was born. Everyone from all walks of life copied and followed the New Look, although some criticized Dior for using expensive fabrics while others did not have enough to eat. The French, however, hailed Christian Dior as a hero for once again putting Paris on the map and for his fashion influence in the 1940s and the 1950s. The New Look was highly praised and popular, Mr. Dior even presented it to the French Embassy in Britain with Elizabeth, the Queen Mother; Marina, the Duchess of Kent; her sister Olga of Yugoslavia; and Princess Margaret (herself a great supporter of Dior) as the audience. Rumors suggest that the then Princess Elizabeth (now the Queen) stopped by to see the collection as well. Christian Dior designs were worn not just by the blue blooded women of the world but also the most glamorous movie stars of that era: Garbo, Dietrich, and Monroe, to name a few. But all great things are not meant to last... sadly a mere decade after changing the world of fashion with his vision, Christian Dior died of a heart attack.

At the tender age of 21, Dior's assistant, Yves Saint Laurent, took over as the house designer. His first collection in 1958 featured a softer version of the New Look and the French hailed YSL as "The man who saved France" as well as the savior that rescued the Maison Dior from the verge of bankruptcy. Just like Mr. Dior in 1947, Saint Laurent's first collection in which he showcased the trapeze line was praised by the press. They said that "Saint Laurent has saved France — the great Dior tradition will continue." His design had caused an enormous commotion. He even went out to the balcony to wave to the cheering people as if he was the new king of France. Notably Saint Laurent also designed the wedding dress of Farah Diba, the last empress of Persia.

Another high point in the history of Dior came in the spring of 1997, when British designer John Galliano was chosen to head the house. Originally from Givenchy, the owner of LVMH, Bernard Arnault, chose him to succeed Gianfranco Ferre as the chief designer of Dior. Known for his theatrical and feminine designs, Galliano's first collection was praised for restoring the beauty and the elegance that had been missing from Dior. His designs were inspired by historical figures such as Cleopatra, Marie Antoinette, and Pocahontas, as well as romantic novels and poetry. He even glamorized homelessness and poverty in one of his collections. Celebrities embraced the beauty of Galliano's designs. But the decadence, eccentricity, and theatrical nature of his shows caused critics to question the wearability of his designs, insisting that he was not a designer but a costumier. Nevertheless the Dior couture presentation was the hottest show in town.

In January 1998, Galliano's spring 1998 couture collection based on the Italian eccentric Marchesa Luisa Casati inspired the world to go crazy over him, just like the moments of Christian Dior in 1947 and Yves Saint Laurent in 1958. The collection showcased a heavily embroidered Oriental coat, suits referencing the Ballets Russes and Edwardian styles, and an updated version of the Dior "Junon" dress. The show was so spectacular that it was widely considered the collection of the season. Galliano was also recognized by the CFDA, winning the award for International Designer of the Year, and showed this epic collection that amazed the American audience. John Galliano didn't just return the couture line to profitability but also revived Dior's ready-to-wear market that during his first years had no difference from his couture collection. In the summer of 1999, Galliano's contract with LVMH was renewed and this time he was put in charge of everything... the store and window design, the accessories, the lingerie and beach wear, the ad campaigns... For the turn of the millennium, he gave the Dior woman a new sex appeal by embracing the style of the street, from drag queens to hip-hop, from BDSM to rock 'n' roll. Galliano proved to his critics that he could design sportswear as well. Note also that Dior under Galliano is one of the many design houses who embraced the logomania of the year 2000.

His tradition of theatrical femininity continued with Galliano's spring 2004 couture collection that was inspired by his trip to Egypt, it was the most celebrated collection of the new millennium for the House of Dior. The pyramid-shaped clothes with the Egyptian Nefertiti headpiece crowns and the glamour of the Penn and Avedon photos of the 1950s. The box-shaped hair from the collection took Orlando Pita three days to create. The innovation of Galliano in this collection makes it one of the most memorable periods of his reign at Dior. Even Bernard Arnault once compared him to Christian Dior. But Galliano's tenure at Dior ended in an ill-fated manner, the anti-semitic remark that he made while drunk induced LVMH to cancel his contract, although it had been rumored for a long time that they had wanted to oust him. He was hurt and humiliated by the situation and also by his legion of followers. It was the end of an era. Everyone is still waiting to see what Galliano's next step will be. His talent is such a shame to be wasted. Dior won't ever be the same from the moment he left. Will he suffer a similar fate to Coco Chanel who was accused of being a Nazi collaborator? (Keep in mind that after a few years she made her marvelous comeback). His admirers wish him the best and only time can tell but I certainly hope he will have a triumphant return to the fashion world soon.

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Dior photographs © 2011 and 2012 Condé Nast, Christian Dior, Rizzoli, The Metropolitan Museum of Art, and V Magazine, LLC, and courtesy of tumblr. "Dovima and the elephants" designed by Yves Saint Laurent under Christian Dior. Photo by Richard Avedon.

I am honored to present the first official IWTBAR video — Carine Roitfeld X M.A.C.: The Smoky Eye by our "very cute looking" contributing editor, Renee Hernandez. She shares her interpretation of the smoky eye à la the limited edition makeup collection created by Carine Roitfeld X M.A.C. Cosmetics. Very special thanks to Carine Roitfeld and M.A.C. for their support of this makeup tutorial.

Carine Roitfeld X M.A.C.: The Smoky Eye
By Renee Hernandez

I’ve always told myself that your messy self is your most beautiful self and when I see pictures and interviews of Carine Roitfeld I know this is true. This shy, edgy, and provocative style maker does not like things to look perfect. She even admits that the best makeup look is when it is still smudged the next morning. Her collaboration with M.A.C. is true to her aesthetic — smoky eye, bold brow, nude lip, and a touch of whimsy with her “good luck” beauty mark.

To recreate Carine Roitfeld’s iconic look, begin with your eyes. This look uses Desert Camouflage Eye and Cheek Palette from the limited edition Carine Roitfeld X M.A.C. collection.

Iconic Eyes
To avoid eyeshadow dust from settling onto your foundation, start with the eyes.

Using a small, flat brush, apply Cactus Thorn across the base of your lid. Apply the same color with a smaller blending brush to the lower lash line. Blend around the edges for a softer effect.

At the outer corner of the eye, apply Desert using a slightly pointed blending brush. Take a larger blending brush and blend over Cactus Thorn.

Keep building the drama with Smolder Kohl Eye Pencil. Glide liner across your upper lash line. Apply Carbon over the liner using a small blending brush for a softer effect.

Continue defining the eyes by applying Carbon with a small angle brush past the outer corner of your eye for an subtle cat-eye shape. Finish by lining the lower water line with Smolder Kohl liner. Smudge eye pencil using small blending brush to diffuse and soften the edge.

Accent the look by applying Sahara Dust under the brow.

Full Brows
The eyebrows are brushed downward and then lightly filled with Brunette Brow, the perfect brown-gray brow color (this color choice depends on your natural brow color). Brush upward for a softer-looking application, and keep them in place with a sweep of clear mascara or hairspray, if you like.

Natural Looking Finish
Gently remove excess eyeshadow dust with a little bit of moisturizer and a cotton ball. Use your favorite foundation or concealer to spot-touch and even out skin tone.

Mascara
Curl lashes and apply black mascara to top lashes, sweeping from root to tip.

Extra Definition
For extra definition, use Sandstorm cream blush to contour cheekbones. Apply color to the hollows of the cheek using your fingertips or angled contour brush and blend.

Nude Lips
A nude lip is the perfect finish to the sexy smoky eye. Glide Tropical Mist directly from the tube, starting at the center of your upper lip and working out. Repeat on the bottom lip.

Good Luck Star
Place stencil on your cheek just below your eye. Fill stencil in with M.A.C. Fluidline in Blacktrack using a small angled brush.

And there you have it. Tired but sexy. So Carine.

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Carine Roitfeld photograph © 2012 M.A.C. Cosmetics. Carine Roitfeld X M.A.C.: The Smoky Eye film stills © 2012 Renee Hernandez. All Rights Reserved.

The second issue of CR Fashion Book is due to publish in February and our initial peek at the magazine is fascinating... Stylist Mélanie Huynh shows the season’s resort looks with a splash of imagination in the editorial “Dive Right In.” Model Anmari Botha sports swimwear by Speedo and Arena underneath tops, shorts, skirts, and dresses by Balenciaga, Marc Jacobs, Lanvin, Chanel, and Calvin Klein. The pièce de résistance is the headgear — the Balenciaga turban and the swimcaps by Headcovers Unlimited — très sporty, très chic. The brilliant editorial was shot at Piscine Pontoise, Carine Roitfeld's favorite swimming pool in Paris, by Robert Nethery. After this seductive tease, I am certainly excited to see more of CR Fashion Book Issue 2…

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CR Fashion Book editorial images courtesy of crfashionbook.com.

In 1998, the British magazine ELLE Decoration had the acumen to ask, "Gucci girl... Tom Ford's muse... What's her place like?" and Carine Roitfeld graciously permitted them access to her Parisian sanctuary for their May issue. She and her partner, Christian "Sisley" Restoin, maintain a minimalist decor that is refined and elegant while at the same time warm and inviting. I admire the eloquent description of Carine and Sisley by editor Sally Brampton: "In the cool, light space of their Paris apartment, the two look like living pieces of Le Corbusier; streamlined and devastatingly elegant."

David Chipperfield is the architect that revamped this 1930s gem into one of the chicest living spaces in the world; much of the bespoke furniture is also his design mixed with the work of Le Corbusier and Mies van der Rohe. The spread was photographed by Martin Morrell for ELLE Decoration. Visit the gallery to see "Gucci Gucci Girl" in its entirety.

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Carine Roitfeld and Christian "Sisley" Restoin apartment photographs © 1998 Hearst Communications Inc. All Rights Reserved.

Today's visual feast comes to us courtesy of a collaboration between Carine Roitfeld and Mario Testino for the December 2000 issue of Upstreet. Shot in locations across the world such as Los Angeles, Paris, New York, Moscow, London, Rio de Janeiro, Amsterdam, Cape Town, Tangier, Lima, Naples, Stockholm, and Jaipur, I am fascinated with the array of looks that this creative duo have captured in their editorial. Carine's ability to imbue her images with her sense of humor never ceases to amaze me. Amusez-vous!

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Carine Roitfeld and Mario Testino images via dioramour on Fashion Spot

The Essence Of The Givenchy Woman
By Kate Ringo Suzuki

In her most recent collaboration with the house of Givenchy, Carine Roitfeld proves once again that high fashion can have a soul. Her styling for Givenchy’s campaign for Spring/Summer 2013 has beautifully captured the essence of creative director Riccardo Tisci’s vision of the Givenchy woman: “It’s about real people, only taking the best of their personalities, with no effort.” says Tisci.

The collection is undeniably architectural and menswear influenced, evidenced by tuxedo pants and sturdy jackets rendered in firm wool that stand at attention in straight lines. But do not be fooled — this is not your mother’s austere armor. There is cleverness and brilliance to what Tisci has done. Sturdy swaths of silk satin support large-scale details, like a larger-than-life side ruffle that reveals an unexpected flash of flesh on the side of a woman, her arm, her breast — not too much, not too little, just enough flirt to retain her mystery and power. High necklines punctuated with shiny bold chokers and asymmetry are the norm.

La Roitfeld’s styling is right on the money. Marina Abramovic, Kate Moss, and Mariacarla Boscono model the women’s collection wearing almost bare faces and relaxed undone hair. The boldness of the clothing serves as a frame to highlight the natural beauty of these women. Slicked back hair and red lips would have looked aged and dated. Under Carine’s watchful eye, the women wear the dresses and not the other way around. One photograph features Mariacarla Boscono holding her baby daughter, Mariąlucas; the sexiest grandmother in the world definitely still has baby on the brain.

Further congratulations should be extended to the brilliant black and white photography of Mert & Marcus.  

Take a look at the creation of Givenchy’s Spring/Summer 2013 campaign

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Givenchy images © 2013 Givenchy.

Carine Roitfeld and Steven Klein collaborated to devise a provocative editorial for the Fall/Winter 2009 issue of Vogue Hommes International, a meat locker melee entitled "Plaisir Solitaire." I wonder what was on Carine's mind the day she thought of this très bizarre take on solitary pleasure… Perhaps the image below by Guy Bourdin had struck her fancy… Or maybe she was intrigued by editorials such as "The Big Chill" by Vogue (2004) or "Meatpacking" by L'Uomo Vogue (2005), inspired to intensify the dark fantasy and give it her own twist. Whatever her impetus, model Johnny Angel would fetch a nice price on any meat market even splattered with the blood of a hundred cows.

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Vogue Hommes International editorial images © 2009 Condé Nast. Guy Bourdin photograph © Guy Bourdin. All Rights Reserved.

Rumors are swirling that Carine Roitfeld has been selected to style the house of Balenciaga following the appointment of Alexander Wang as the new creative director. In case you missed it, here are Carine's thoughts on the best person to head Balenciaga, her remarks were given on the day that the departure of Nicolas Ghesquière was announced. Note that being diplomatic, La Roitfeld does not mention a specific name, but I believe the choice to hire Wang is in keeping with her vision. I would absolutely love to see what this duo would do together for the brand. Although, what will become of the role of Marie-Amélie Sauvé at Balenciaga? Further details as they are known, bien sûr...

Carine Roitfeld and Alexander Wang photograph courtesy of thenoircarpet.com

Julia Restoin-Roitfeld has proven to be a fiercely protective mother, carefully guarding the privacy of her infant daughter, Romy Konjic. Since Romy was born in May, we have seen only a few photographs of her and always from a distance with her face obscured. This picture of mother and daughter enjoying the beach in Miami is no different... although Julia looks lovely, Romy has managed to turn her head at just the right moment to avoid the camera.

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Julia Restoin-Roitfeld and Romy Konjic photograph courtesy of facebook.com

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Carine Roitfeld at Dior Spring/Summer 2013 at Jardin des Tuileries via pacificcoastnews.com, corriere.it, and loofting.com.br

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Carine Roitfeld at Chanel Spring/Summer 2013 show at the Grand Palais in Paris photograph courtesy of caras.uol.com.br.

Noomi Rapace, Kristen McMenamy, Carine Roitfeld, Christa Theret, and Kanye West at Givenchy

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Carine Roitfeld at Givenchy show photographs courtesy of Givenchy by Riccardo Tisci

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Carine Roitfeld at Saint Laurent Paris show photos via gettyimages.com and grazia.it

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Carine Roitfeld at Ulyana Sergeenko show photographs courtesy of buro247.hr and tatler.ru

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Carine Roitfeld at Versace show photograph courtesy of christinapitanguy.com.br

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Carine Roitfeld at Berluti show photograph courtesy of instagram.com/themoanwar

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Carine Roitfeld at Valentino show photograph courtesy of twitter.com/stuartemmrichny

Inside the Pages of CR
By Dara Block

Yes, the anticipation is on for the second issue of CR Fashion Book, which comes out in February, but until then I thought it would be appropriate to take a moment to appreciate the beauty and creativity of three of my favorite editorials from the current fall/winter issue of CR Fashion Book.

First, let's start with the editorial "How do hue do?" photographed by Brigitte Niedermair. The editorial features this season's hottest accessories mixed in with a kaleidoscope of color, pattern, and some strangely chic wigs. Personally, I love the humor, wit, and imagination depicted in this layout. It is obvious that Carine Roitfeld was very much inspired by the late Diana Vreeland and her brilliant eye-catching Vogue editorial she styled back in 1968. Just look at that striking red hair with dramatic necklace and you can easily see where Carine Roitfeld found her inspiration.

Yes, Carine Roitfeld was very much influenced by Diana Vreeland's vision, but I so admire the way in which she took her idea and transformed it into something completely unique and individual to her aesthetic. She managed to take a vintage image and manifest it into a look that is completely modern and so CR. My first favorite look is this purple wig with Lanvin clutch and Miu Miu necktie. The styling is superb and I love the purple tones... this is how color should be done in editorials... a total visual feast for the eyes, how could you not love this!

I admire that vibrant red wig featured, as well. It's so brilliant the way that hair acts as a mask... very freaky, yet super-chic, at the same time. It's the perfect complement to that black sweater and laced up Fendi boot. Plus, I so appreciate all the details with that Miu Miu necktie, the iPad case, and of course, those beautiful red nails. Just leave it to Carine Roitfed to showcase all those exquisite details. I have a feeling that Diana Vreeland is probably somewhere in heaven smiling at Carine Roitfeld's genius styling! Carine Roitfeld proves that in order to think about fashion's future you must look back into the past for inspiration... love the way her style brain works!

Yet another savvy editorial featured in CR Fashion Book is entitled "Electrapolitan," which features fall's newest faces in some of the season's most interesting silhouettes. Not only does Carine Roitfeld work with new and intriguing photographers like Brigitte Niedermair, but she also has established photographers like Jean-Baptiste Mondino in her magazine. "Electrapolitan" is so stunning to look at especially with all those unique dress shapes. My favorite look has to be this Comme des Garçons puffed out dress as seen on model Marte Mei Van Haaster. Comme des Garçons has been quite popular in fashion layouts this fall and I love the way Carine Roitfeld styled this dress into a look all her own. I totally love that voluminous-chic short hair and if you look past the sequined dress you can see that she is wearing black tights and super high heels, which are very much Carine Roitfeld signatures.

There is another triple-chic looked featured in "Electrapolitan" that pretty much defines how one should dress this winter. Starting from the left, model Cora Emmanuel is wearing an Alexander Wang sweater with a vibrant Callalilai skirt. Model Kati is in a Louis Vuitton top with skirt and an extra Louis Vuitton skirt as a headdress... gotta love that unique styling. Also, on the right, model Magda is wearing a Haider Ackermann jacket with Callalilai skirt. I totally love how all these models look together collectively. If you look closely you can see that they are all wearing the same floral Dolce & Gabbana boots. It's interesting how their outfits are not at all the same, but somehow they coordinate precisely through textures, patterns, and of course those boots.... amazing styling through all those details.

Oddly enough, Jean-Baptiste Mondino is back again for a second editorial entitled "Cosmotropolis." Model Stef Van Der Laan starts the editorial off with a sparkle in lots of gorgeous jewelry and even some chic grills. Her earrings are by Repossi and her necklace and bracelet are by Chanel. I love the way Carine Roitfeld works with jewelry. There is a great mixture of bling balanced with that beautiful black Belfstaff sweater... such a perfect blend.

Personally, I love the way Carine Roitfeld works with black in editorials and in this layout it is all done impeccably. My favorite black styled look is this one featured on models Cora Emannuel and Magda Laguinge. Both are in head to toe Azzedine Alaïa looking very noir chic! Carine Roitfeld always knows how to style Azzedine Alaïa in such a gothly glamorous way. Yes, not every woman could get away with wearing Alaïa leather, but she makes it look so effortless and sharp... two very inspiring winter looks, indeed!

As you can see, all three of these editorials magically display Carine Roitfeld's unerring eye for styling. It's quite interesting to dissect all the details of her layouts, there is so much to discover. One can't help but admire all the intelligence, fantasy, and inventiveness that she has brought to the pages of her magazine. Carine Roitfeld has truly managed to take all of this winter's best looks and transform them into a vision that only true followers of fashion could understand... can't wait to see what she has in mind for spring!

[Editor's note: Please visit Dara at Sisters in Black Frocks, the inspiring blog that she curates with her sister, Erika, and be sure to wish them a happy blogiversary — today is Sisters in Black Frocks' fourth birthday! Congratulations on your milestone, Dara and Erika, and thanks for always keeping it chic!]

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CR Fashion Book images courtesy of crfashionbook.com

Vladimir Restoin-Roitfeld and Gilbert & George, "Lover" (2011)

I so admire the decisions that Vladimir Restoin-Roitfeld has made as he grows his art dealership, most recently partnering with Christine Messineo, director of the Bortolami Gallery in New York, to curate a show uniting 35 artists entitled Merci Mercy. Taking its name from a work by Louise Bourgeois, Vladimir's latest ambitious project aims to examine language and text in contemporary works of art by Darren Almond, Dirk Bell, Mark Bradford, Mel Bochner, Louise Bourgeois, Sophie Calle, Pier Paolo Calzolari, Peter Davies, Sam Durant, Tracey Emin, Nikolas Gambaroff, Gilbert & George, Robert Gober, Nan Goldin, Dominique Gonzalez-Foerster, Jenny Holzer, Rashid Johnson, Scott King, Christopher Knowles, Michael Krebber, Sean Landers, Jason Loebs, Charles Mayton, Harland Miller, Philippe Parreno, Jack Pierson, Ry Rocklen, Ed Ruscha, Tom Sachs, Ben Schumacher, Gary Simmons, Lucien Smith, Dash Snow, Kon Trubkovich, and Aaron Young. Vladimir explains how the idea for the show germinated: “I was looking for a new concept to develop and discovered that many of the artists I like use text in a systematic way. It was a good opportunity to bridge the artists I love with those I’m less familiar with and contextualize them in a way that made sense.” Merci Mercy is open to the public through 17 February at 980 Madison Avenue.

Louise Bourgeois, "Merci, Mercy" (1999)

Aaron Young, "Untitled (breaking the law)" (2008)

Lucien Smith, "Untitled (Tumbleweed)" (2013)

Jack Pierson, “Abstract # 10” (2008)

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Merci Mercy exhibit images courtesy of Vladimir Restoin-Roitfeld, galleristny.com, musemagazine.it, twitter.com